This is a ceramic fair, a festival for the potters. The event has been running since 1997, and for what I was told it has a sentimental charge for many of the participants who bring their wares every year to this event.
http://www.potfest.co.uk/coxs.htm
This year the fair was relocated to Stirling as the original site in Perth was not available. I can not compare between the sites as this was my first time at it. Nonetheless I enjoyed the location for the fair
The new site was in a huge Mart outside Stirling, of easy to access by road and with plenty of space to park unload and display, camping area and services, delicious food and coffee
I was traveling by train, bus and foot, with all my work inside a suitcase, a tent and a sleeping bag. My arrival was a comic sight as I was told by some of the potters.
The Mart, was surrendered by fields and a twisting river, on the far backgrounds the mountains, the castle and the tower. The high sky like a busy highway for winds and clouds, charming...
Color in Scotland is very saturated
My display was neat and simple. We were provided with as many tables as we manage to carry to our spaces. I could not bring with me any props or plinths to create different levels so I was forced to displayed my work all at the same level on the table. I had white and black fabric to cover the tables and some of the cubicle fence. Some flowers collected from the nearby fields gave the last touch, It looked alright, fresh and rich in color.
There was a constant affluence of visitors during the three days of the fair.
I had positive feedback for my work and good sales.
To Pot Fest I brought my functional work. This work is intended to be used and liked. In it I explore and combine highly functional table ware forms with a colorful surface of layered glazes forming abstract landscapes. The glazes I use have depth and saturated colors. Color is provided by oxides. My functional wares are meant to be aesthetically attractive and functional.
I see my making of functional ware as making flowers.
The good thing about Pot Fest was the socializing with the other potters. There was some communal activities organized for us, we have food and drinks together and many chats. There was even a bonfire waiting for the dawn to come.
The mood was very amiable. Most of the people new each other for many years, meeting in previous Pot Fest or at other fairs.
Pot Fest was for some the beginning for a season of traveling with their wares. During conversation potters discuss the different fairs, work, methods, lots of jokes and some gossip.
I see myself coming back next year, I am looking forward to it, to catch up with all the lovely people I have met in this fair.
My plan now is to throw a good amount of them, but only biscuit fire, so they are ready for the glaze firing, just waiting for the chosen glaze. I want to add more colors this year, and to improve shapes and glaze application. Most of the problems I have been experiencing with glazing are due to the the kilns over firing more than 40 degrees. It is not clear to me yet, even if i am using cones, if this is a regular thing and if it happens at all temperatures. At 1000C they under-fire and the temperature varies, is uneven inside the kiln. We have had the technicians coming around many keep doing times but the kilns keep doing the same.
I have been considering to became a technician myself.
The other thing I have been doing is getting some of my drawings into clay. They are similar to engravings, and I do not always get an amazing result out of the process. I need to make more and work more on them. These are some of the first results with just one firing. As usual i need to find a way of presenting them, of framing them in an attractive way. 
